Short title
Eyre 1792
Year of publication
1792
Full title

A CATALOGUE OF THE TRULY VALUABLE AND ELEGANT COLLECTION OF PICTURES; Framed and unframed Drawings; A LIBRARY OF BOOKS; PRINTS, and BOOKS of PRINTS, & c. By the most esteemed ancient and modern MASTERS, Which are the sole Property of E. EYRE, Esq; of Mary-le-Bone, RETIRING INTO THE COUNTRY. The above consists of the choicest Specimens of the following and many other Matters:—The Ancient comprise valuable and undoubted Originals of the Italian, Flemish and French Schools, by Rubens, Vandyke, Carrache, S. Rosa, P. Cortona, Rembrandt, Wouvermans, Berghem, Vangoen, Ruysdael, Sachtleven, W. Vandevelde, &c. &c. and among the Modern are, Cipriani, Wheatley, Rowlandson, Scot, Bartolozzi, Barrett, Marco Ricci, Coates, Sandby, Wilson, J. P. Pannini, Taverner, Hussey, Clerisseau, Gainsborough, &c. Which will be SOLD by AUCTION, By Mr. GREENWOOD, At his ROOM in LEICESTER-SQUARE, On MONDAY the 12th of MARCH, 1792, And NINE following Days, Sunday excepted, At TWELVE o’Clock. [vignette] To be viewed on Thursday the 8th, and till the Sale, and Catalogues had, at SIX-PENCE each.

Type(s)
typerelation.type
Preface and paratexts

[vignette] CONDITIONS OF SALE. I THE highest Bidder is to be the Buyer, and if any Dispute should arise between Two or mere Bidders claiming any Lot, the Lot in Dispute shall be immediately put up again. / II. No Person to advance less than Six-pence; above One Pound, One Shilling; above Five Pounds, Two Shillings & Six-pence, and so in Proportion. / III. The Purchasers are to pay down Five Shillings in the Pound as a Deposit, and in Part of Payment for each Lot. / IV. The Lots to be taken away with all Faults, at the Expence of the Purchasers, within One Day after the Sale is ended, and the Remainder of the Purchase Money to be paid on or before the Delivery thereof. / Lastly, Upon Failure of complying with the above Conditions, the Money deposited in Part of Payment, shall be forfeited ; and the Lots which may remain uncleared within the Time aforesaid, shall be re-fold, by public or private Sale, and the Deficiency, (if any by such second Sale) together with all Charges attending the fame, shall be made good by the Desaulters at this Sale. [vignette] / <%%> <> <%%> [vignette] TO THE PUBLIC. THE Proprietor (with the strictest veracity) assures the Public, that having come to a resolution of disposing of HIS WHOLE COLLECTION (except those of his own doing) though lately applied to by several persons, who wished to purchase same of the articles, at a very liberal price; by the advice of his friends, he declined accepting the offer, nor has he reserved so much as a single article of any kind (except a few common reading books, for the use of his family.) / He likewise flatters himself, the few descriptive observations made on some of the articles, will not be thought exaggerated, they being no more than what has being the general opinion of those, who are allowed to be the first, and most candid judges of the polite arts in this kingdom; nor have those of the scarce ancient mailers, been deemed less excellent, though the anxiety and trouble attending a removal, and the disposal of his house, put it out of his power to describe them but by their names. / He likewife (positively declares) there is not a single copy, except those mentioned as such in the catalogue. / N. B. The drawings by ancient matters, are chiefly in the fifth and sixth days sale.|A CATALOGUE, &c.[after N@]|End of the First Day's Sale.[after N@75]|End of Second Day's Sale.[after N@99]|End of Third Day's Sale.[after N@112]|End of Fourth Day's Sale[after N@117]|End of the fifth Day’s Sale[after N@119]|End of the Sixth Day's Sale.[after N@111]|End of Seventh Day's Sale.[after N@114]|End of the Eight Day's Sale.[after N@105]|End of the Ninth Day's Sale.[after N@115]|FINIS.[after N@68]

Notes

Not in Munby.

Library
Shelf mark
Scans
Types
auction catalogue private library

Lots
Page 4

First Day’s Sale, MONDAY, MARCH the 12th, 1792. // First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Plaister Casts.
1 THREE, 2 lions, and a centre vase
2 Three, 2 ditto [lions], and ditto [a centre vase]
3 Five, a bust of a youth’s head, and 2 vases, the Apollo Belvidere, &c.
4 Two, busts of Shakespeare and Milton
5 Six, boys, &c. from Fiamingo, &c.
6 Three, a horse, from Gainsborough, I from the antique, and a centre cow
7 One, a groupe from the antique, painted to stand the weather, with pedestal
8 One, a large figure of Diana, with a wooden pedestal
9 Four framed basso relievos, from the Etruscan
10 One, a large vase, ornamented with basso relievos, pea-green ground
11 Four, 2 elegant vases, and 2 brackets, from the antique
12 One, a fine equestrian statue of the King, by Rysbrach
Page 5

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Articles of China, and Wedgwood’s Ware.
13 Six flower pots and pans
14 Six ditto ditto [flower pots and pans]
15 Six ditto [flower pots] for chimney ornaments, to hold bulbous roots, &c.
16 Four, 3 cups, and an ornamental vase
17 Three sportsmens’ cups, 2 fox’s heads, &c.
18 One elegant Etruscan jug, and a night lamp and stand
19 Eleven, a pair of sauce boats, 6 desert ornaments, and an elegant centre vase (damaged)
20 One, a large enamelled punch bowl, of fine old China

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Wedgwood’s elegant Ornaments.
21 Two large elegant busts, from the antique
22 Four, a pair of griffin candalabriums, and a pair of Etruscan vases

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Elegant ornamental Jasper Basso Relievos, on Pen Green and Blue Grounds, by Wedgwood
23 Nine, the King, Queen, Prince of Wales, &c.
24 Six, the Earl of Chatham, Mr. Pitt, &c.
25 Six, Shakespear, Garrick, &c.
26 Three, Medusa’s head, and 2 side pieces
27 Four, from the antique
28 Seven, Hercules killing the Hydra, &c.
29 Four, from the antique
30 Six, ditto ditto [from the antique]
31 Six, ditto ditto [from the antique]
32 Sixteen, gems, &c. and a copper medal of Queen Mary
Page 6
33 One, a beautiful China groupe of flowers, in a black frame

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Sundry ornamental Curiosities.
34 Eight, a pair of Derby spar ink-stands, &c.
35 One elegant bronze, on an enriched pedestal
36 Two antique ditto [bronze], busts
37 Two beautiful cork models of the Sybils’ temple, by Dubourg
38 Two elegant terra cota models, by Rubiliiac
39 One ditto [elegant] of Minerva, by Rysbrach
40 One, a beautiful seve China figure of Belisarius
41 One biscuit China figure of Mr. Garrick in Richard
42 Two ditto ditto [biscuit China], rustic figures
43 One elegant alabaster enriched vase
44 Two wax basso relievos, from the Duke of Marlborough’s gems

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Framed and Glazed Original Drawings from Nature.
45 One original view from nature, Margate pier, &c. E. E.
46 One original view near Margate, with the bathing machines, E. E.
47 One ditto [original] of Canterbury cathedral, ditto [machines, E. E]
48 One ditto [original] of a mill near Colchester, ditto [machines, E. E]
49 One ditto [original] of the Parade at Margate, ditto [machines, E. E]
50 Two, original view of Silbury Hill, near Marlborough, ditto [machines, E. E]
53 One ditto [original], a romantic scene, by Catton, with Smugglers
52 Four ditto [original], by Rowlandson, &c.

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Prints in Colours, fine Impressions.
53 One, the diploma, from Cipriani, by Ryland
54 One, Miss Beauclerks, by Bartolozzi
Page 7
55 Two, poetry and painting, from Angelica, by Ryland
56 Two, conjugal piece, &c. by Ryland
57 Two, humourous, in circles
58 Four, in small frames, by Scott, Sandby, &c.
59 Four, various, in oval frames, &c.

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Curious Shells, &c.
60 Three beautiful large shells
61 Three ditto [beautiful] ditto [large], finely polished
62 Eighteen various ditto [large], fine
63 Twelve ditto [various] ditto [large], ditto [fine]
64 Eight ditto [various] ditto [large], ditto [fine]
65 Thirteen ditto [various] ditto [large], ditto [fine]
66 Three, 2 fine beetles, &c. in an Otaheite basket
67 A small mahogany cabinet, with 5 drawers, containing a variety of specimens of spar, ores, ‘ Wedgwoods, medallions, &c. &c.

First Day’s Sale, MONDAY, MARCH the 12th, 1792. / Sundries.
68 One, a pair of very elegant chased silver mounted screw barrelled pistols, by Freeman
69 One, a fowling piece
70 One, an elegant dressing glass, in a carved and gilt frame
71 One, a large handsome pier glass, in a carved and gilt frame, plate 21 by 39
72 One, a perfect and complete glass apparatus, for making artificial mineral water
73 One, a small drawing table
74 One, an Argand drawing lamp, and a small dark lantern
75 Three framed medallions, from the Duke of Marlborough’s gems
Page 8

Second Day’s Sale, TUESDAY, MARCH 13th, 1792. // Second Day’s Sale, TUESDAY, MARCH 13th, 1792. / BOOKS. OCTAVO, &c.
1 DOYLE’S Voyages and Adventures, 1778.— Churchyard’s Worthiness of Wales, 1776.— Universal Pocket Companion, 1760, and 25 more
2 Thevenot, Voyage au Levant, 2 tom. Paris, 1689.—Salluste, Latin and French, 1696, and 3 more
3 Diagene Laerce, 3 tom.—Amst. 1761
4 Dictionaire François and Latin, Rouen, 1780,— Systeme Social, Lona. 1773
5 Secretaire de la Cour, Paris, 1765.—La Fausse Glelie, Amft. 1717. — Histoire des Favorites, Amft. 1697, and 3 more
6 Les Desesperés, 2 tom. Paris. 1732.—Condillac, Traité des Animaux, Amft 1755, and 4 more
7 Oeuvres de Racine, 3 tom. Paris, 1755
8 Entretiens de Morale, 2 tom. Paris, 1692.— West, Observations fur la Resurrection de Jesus Christ, Paris, 1757, and 3 more
9 Bruyere, Caractere de Theophraste, 2 tom. Paris. 1750 —Les Secrets d’Albert le Grand, Lyon, 1758, and 4 more
Page 9
10 Amusemeps de la Champagne, de la-Cour, &c. 6 tom. Amft. 1737.—Coutes de Valois, two torn. Haye, 1777
11 Alcoran de Mahomet, par du Ryer, Haye. 1685. Danger des Passions, 2 tom, 1757.—Epicterte, French and Greek, par Villebrune, Paris, 1783, and I more
12 The Garden of the Soul, 1765.—Instructions for the whole., Year, 3 vols. 1752, and 4 more
13 Rochcsaucanlt’s Maxims, 1749.—School of Man, 1753, and 6 mere
14 Perroniana, Thuana, St. Evremoniana, &c. 1707.—Diella, certaine Sonnets adjoyned to to the amourous Poeme of Don Diego, and Ginucra, by R. L. 1596.
15 The Schoole of Abuse, contayning a pleasant Invective against Poets, Pipers, Players, Jesters, and such like Caterpillers of a Common-wealth, &c. by Stephen. Goffon, llac’c letter, one leaf wanting, imprinted at London, 1787.—Bacon on Life and Death, 1638
16 Bailey’s English Dictionary, 17.75.—Walter’s Mathematical Dictionary, 1.762
17 Placid Man, 2 vols. 1770,—Female Quixote, 2 vols. 1752.—Seidell’s Table Talk, 1777.— Marvell’s Works, 2 vols. 1772. and 2 more.
18 Foundling Hospital for Wit, 1768.—Book of Songs.—Ehtick’s History of the War, vol, I, 2, 3, 5; 1753
19 Life of John Buncle,. 1763.—English Rogue, or the Life of Jeremy Sharp, 1741.—Prideaux’s Life of Mahomet, 1718, and I mere
20 Bradley’s Treatise of Agriculture, 1757.—Memoils of Utopia, 2 vols. 1725, and 2 more
21 Sccundus’s Kisses, 1778.—Smollett’s, Plays and Poems, 1777.—Gay’s, Plays, 1772.—Roberts’s Judah Restored, 2 vols in 1, 1774, and I more
22 Duke of Buckingham’s (Sheffield) Works, 2 vols, 1773.—Cowley’s Select Works, 2 vols, 1777
23 Franklin’s Epistles of Phalaris, 1749.—Euripides, 1780
Page 10
24 Freeholder, 1758.—German Spy, 1738.—Epicurus’s Morals, by Digby, 1712
25 Burnet’s Travels in Switzerland, 1708.—Junius’s Letters, 1788.—Hume’s Dissertations, 1756. Freeholder, 1751.—Englishman, 1714
26 Fcotc’s Comic Theatre, 5 vols. 1762
27 Voltaire’s Age of Lewis IVth, 2 vols. 1752.—Ferber’s Travels through Italy, 1776
28 Eenttie on Truth, 1773. —King’s Origin of Evil, 1758.—Barclay’s Apology for the Quakers, 1765
29 Fitzosborne’s Letters, 1769.—Gilpin’s Life of Wickliff, &c. 1766 — History of Female Favorites, 1772. —Jones’s History of Nader Shah, 1773.
30 D’Urfey’s Tragical and Comical Tales, 1704.— Aikin’s Poems, 1777.—The Bruciad, 1769, and I more
31 Mills’s Essays, 1772.—Art of Knowing Mankind, 1766, and 2 more
32 Buke, on the Sublime and Beautiful, 1764.— Moral, Histotical Memoirs, 1779.—Butler, on Impressing Seamen, 1772, and 1 more
33 Tillotfon’s Sermons, 14 vols. 1704.—Stilling-fleet’s Sermons, 2 vols. 1696
34 White’s Treatise on Lying-in Women, 1777.— Beckett’s Chirurgical Tracts, 1740.—Brooks’s Dispensatory, 1773—Bali’s Dispensatory, 1769, and 3 more
35 Terence, by Cook, 2 vols. 1749.—History of the Buccaniers of America, 2 vols. 1741
36 Northall’s Travels through Italy, plates, neat, 1766
37 Loves of Mirtil, Son of Adonis, plates, 1766
38 Webb on Painting, 1777.—Du Fresnoy’s Art of Painting, by Dryden, 1769
39 Connoisseur, 4 vols, very neat 1774.—Arbuthnot’s Works, 2 vols. 1770
40 Antiquities of Westminster Abbey, 2 vols, many plates, 1722.
41 Green’s Survey of the City of Worcester, Plates, new and gilt, 1764
Page 11
42 World displayed, 20 vols, 1760
43 Oeuvres de Crebillon, 3 tom. Paris, 1754— Oeuvres de Rousseau, 4 tom. Lond. 1753
44 Saverien, Histoiredes Philosophes Modernes, 4 tom. avec fig. Paris, 1762.—Memoires du Cardinal de Retz. 4 tom. Amft. 1719
45 Virgil translated by Andrews, printed by Baskerville, new and gilt, 1766
46 Smollet’s Travels through France and Italy, two vols. 1778. — Works of the celebrated Authors, 2 vols. 1750.—Memoirs of Cardinal de Retz, 4 vols. 1723
47 Davis’s life of Garrick, 2 vols, very neat, 1780.— Apology, for the life of Colley Cibber
48 London and its Environs described, 6 vols. 1766
49 Virgile, Latin and French, per des Fontaines, 4 torn. Paris, 1754.—Homeres par Dacier, 7 tom. Amft. 1731
50 Theatre de P. Corneille, 7 tom. Paris, 1755
51 Sevigné’s Letters, 10 vols, new and gilt, 1764.
52 Memoirs of Guy Joli, 3 vols, new and gilt, 1775
53 Walpple’s Anecdotes of Painting, 5 vols, very neat, 1782.
54 Granger’s Biographical History of England, 4 vols, new and gilt, 1775
55 Pennant’s British Zoology, 4 vols, new and neat, 1776
56 Priestley’s Observationson Air, 4 vols, new and gilt, 1775.—Fergufon’s Introduction to Electricity, 1778
57 Kimber’s Baronetage of England, 3 vols, new and gilt, 1771
58 Collins’s Peerage of England; 8 vols, new and gilt, 1779
59 Lord Bolingbroke’s Works, 11 vols, new and gilt, 1754, &c.
61 La Pharsale de Lucain, par Marmontel, 2 tom, avec fig. bien rel: Paris, 1766
62 Les Saifons, avec fig: eleg. rel, avec feuilles doriées, Amft. 1775
63 Oriosto Orlando, Furioso, da Molini, 4 tom. avec fig. tres. eleg. rel. d’torchi di Baskrville, 1773
Page 12

Second Day’s Sale, TUESDAY, MARCH 13th, 1792. QUARTO.
64 Truth brought to Light; an Historical Narration, of the first 13 Years of the Reign of King James, 1651,—Life of Merlin, 1651, and 2 more
65 Woollaston’s Religion of Nature delineated, 1725. -Three volumes of Tracts.— La Perspective Pratique, necessaire á tous Pennies, 3 tom, Paris, 1761
66 The Fingal of Ossian, by Macpherson, neat, 1777
67 Gough’s Anecdotes of British Topography, 1768.
68 Sallust, by Gordon
69 Demosthenes, by Leland, very neat, 1771
70 Gray’s Poems, with his Life, by Mason, neat and gilt, 1775
71 Moorthouch’s Hlistory of London, neat, 1773
72 Blainville’s Travels, 3 vol. 1743
73 Cicero’s Orations, by Rutherford, elegantly bound 1781
74 Algernon Sydney’s Works, very neat, 1772
75 Cordiner’s Antiquities and Scenery of the North of scotland, ptates, boards, 1780
76 Abridge de la Vie des plus fameaux Peintres, 2 tom, avec portaits, bien rel Paris, 1744
77 Les Metamorphoses D’Ovide, par Banier, 2 tom avec fig, bien rel, Paris, 1738
78 Pennant’s Journey to Snowdon, plates, boards, 1781
79 Pennant’s Tour in Wales, in 1773, elegantly bound in Morocco, 1778
80 Pennant’s Tour in Scotland, and Voyage to the Hebrides, 3 vols, plates, new and gilt, 1776
81 Campbell’s Political Survey of Britain, 2 vols. very neat, 1774
82 Spenser’s Fairy Queen, 3 vols, very neaty bound in Russia Leather, 1751
83 Anson’s Voyage round the World, elegantly bound in’ Russia Lather, 1776
84 Cock’s Voyage towards the South Pole, and round the World, 2 vols, very neat, 1777
Page 13
85 Cook’s Voyage to the Pacific Ocean, 3 vols, with fine impressions of the plates, in I vol. boards, 1785

Second Day’s Sale, TUESDAY, MARCH 13th, 1792. FOLIO.
86 Ben Johnson’s Works, 1692
87 Bailey’s English Dictionary, 1726
88 Raderi Bavaria Sancta, 1615
89 Venii Historia Septem Infantium de Lara, 2 tom. Ant. 1612
90 Caracci, Diverse Figures, Rom.
91 Caeesar’s Commentaries, by Duncan, new and gilt, 1753
92 Le Brim’s Voyage to the Levant, many plates, new and gilt, 1702
94 Motray’s Travels, 3 vols, many plates, same by Hogarth, very neat, 1732
95 Description of the Cathedral Churches of Canterbury and York, many plates, new and gilt, 1755
96 James’s Medicinal Dictionary, 3 vols, plates, neat,
97 Montsauçon’s Antiquities, by Humphreys, 6 vols, plates, neat and gilt, 1721 N. B. The first Volume is a little stained
98 Houhraken’s Heads of Illustrious Persons, with their Lives, by Birch, the plates on large paper, and remarkable fine impressions, elegantly bound, 1747
99 Holbein’s Death Dance, first impressions
Page 14

Third Day’s Sale, WEDNESDAY, MARCH 14th, 1792. // Third Day’s Sale, WEDNESDAY, MARCH 14th, 1792. / PRINTS.
1 TWENTY-TWO, hunting, Rowlandson, &c. 2 Six, Rowlandson
3 Three, Bunbury
4 Two, Rowlandson, the lobby loungers, &c.
5 Four, ditto [Rowlandson], coloured by himself, the bachelor, and married man, &c.
6 Two, ditto [Rowlandson], ditto [coloured by himself, the bachelor, and married man, &c.]
7 Two, ditto [Rowlandson], ditto [coloured], I a proof
8 One, ditto [Rowlandson], ditto [coloured], ditto [I a proof], return from the chace
9 Twenty-two, various comic
10 Nineteen, various
11 Nine, after Cipriani
12 Twenty-one, pleasing subject—many proofs
13 Twenty-eight, from Le-Brun’s collection, &c. picked subjects
14 Nineteen, ditto, pleasing subjects
15 Sixteen, ditto
26 Sixteen, pleasing subjects—-many proofs
17 Fifteen, from Le Brim’s cabinet, &c.
18 Eight,’ Loutherbourgh, Teniers, &c. from Choiseni and Le Brun’s collections
19 Eleven, pleasing subjects, various
20 Six, ditto, ditto
21 Eighteen, from the French history
22 Eighteen, from Ovid
23 Fourteen, Mortimer, banditti, &c.
Page 15

Third Day's Sale WEDNESDAY, MARCH 14TH, 1792. / Fine original Drawings, by Modern Masters
24 One, Rowlandson, Westminiter-bridge
25 Two, ditto, return from the chace
26 Two, ditto
27 One- ditto, Boulogne packet
28 Two, ditto, a scene below deck, and the gulled husband
29 One, ditto, pheasant shooting. N. B. With a pento mente
30 One, Rowlandson, connoisseurs
31 Two, views, by Aiken, Chepstow, &c.
32 One, Rowlandson, the love letter
33 Two, ditto, the inside of Netley Abbey, and a slate quarry in Cornwall
34 Three, ditto, views at Brighton
35 Three, Laroon
36 Three, Ibbetson and Wheatley
37 Three, spiritedh, by Wheatley
38 Two, Grim, from Shakespeare
39 Eight, high-finished frontispieces to Don Quixote, &c.
40 Seven, high-finised frontispieces, English stories
41 Seven, ditto ditto to Gil Blas
42 Three, views in England and Wales, Buck
43 Two, birds, Nuremberg, highly finished
44 One, the inside of the George Inn, at Stamford

Third Day's Sale WEDNESDAY, MARCH 14TH, 1792. / Hogarth’s Works. &c.
45 Fifteen, the hay-makers, and the tour
46 Fourteen, small Hudibras, and military exercises, &c.
47 Twelve, masonry, &c. (several scarce)
48 Ten, Tristram Shandy, &c.
49 Four, the election
50 Eight, the rake’s progress
51 Six, the harlot’s progress
52 Six, marriage a-la-mode
Page 16
53 Four times of the day
54 One, march to Finchley
55 One, strolling players
56 Six, stages of cruelty
57 Two, Bartholomew fair, and the medley
58 Twelve, the apprentices
59 Four, Paul before Felix, and sleepy congregation; with the variations
60 Three, distressed poet, enraged musician, and stage coach
61 Three, the bench, with variations; and frontispiece to Sir W. Chambers
62 Two, before and after
63 One, a variation of the elections, with the lemons
64 Four, the gates of Calais, midnight conversation, France and England
65 Three, Paul before Felix, and Pharoah’s daughter
66 Three, analysis of beauty, with the variations
67 Two, the good Samaritan, and pool of Bethseda
68 Two, Mr. Garrick in Richard, &c.
69 Three, Sarah Malcolm, J. Morrell, and Capt. Coran
70 Four, portraits
71 Three, 2 the times, and I the cock-pit, variations
72 Twelve, the military cruelties
73 Five, 2 of them very scarce
74 Seven, Don Quixote
75 Five, Columbus, &e.
76 Five, Wilkes, Hogarth, and Lord Lovatt—Hogarth and Churchill, with variations
77 Six, Hogarth, portraits, &c.
78 Two, the lottery, &c.
79 Six, the orders of perriwigs, &c.
80 Twelve, Hudibras
81 Three, shrimp girl, &c.
82 One, a drawing, by Hogarth; purchased of the late T. Forrest, Esq; to whom it was given by Mr. Hogarth
Page 17

Third Day's Sale WEDNESDAY, MARCH 14TH, 1792. / Fine Original Drawings, by Rowlandson, &c. spirited Sketches.
83 Six, Rowlandson, spirited sketches
84 Four, by ditto and I. Smith, ditto
85 One, by ditto, Langhorne’s repository
86 Three, by ditto, views from nature
87 Four, Van Ellen, &c.
88 Two, Rowlandson, the salutation, &c.
89 Two, ditto
90 Two, the extravagant wife
91 Two, Rowlandson, the gin shop
92 One, ditto, post haste, a view at Dorchester
94 Two, ditto, a jealous husband, and the bribs

Third Day's Sale WEDNESDAY, MARCH 14TH, 1792. / Prints.
95 Thirteen, Angelica, Mortimer, &c.
96 Eight, Salvator and Mortimer
97 Nine, Mortimer, from Chaucer
98 Four, Vernet, &c.
99 Eight, by Wouvermans, &c.
100 Six, by Watteau, &c.
101 Four, by Ryland, from Brackenberg, &c.
102 Four, French,
103 Two, the ball and concert
404 Four, La Place, Maubert, &c.
105 Two, curious lovers, &c.
106 Six, by Greuze, &c.
107 Four, by ditto
108 Four, by ditto
109 Two, the visit to the grandfather, Smith, &c.
110 Four, modern love, Collett
111 Eight, various, ditto
112 Fourteen, ditto, some scarce
Page 19

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. / Prints and Etchings.
1 SIXTY-FOUR, sketches from nature
2 Thirty-tight, Perelle and Goltzius
3 Seventeen, etchings of horses, Bourginion, &c.
4 Twenty-fix, Stella
5 Twenty-four, views in Holland, etchings
6 Twenty, La Porte
7 Thirty, Perelle
8 Sixteen, Barlow, &c.
9 Thirty, Sadler, &c.
10 Eight, Mellan, &c.
11 Twenty-nine, Italian etchings, &c. Caricatures
22 Six, proofs, Allan
23 Sixteen, etchings, by Lareffe, &c.
24 Twenty, Goltzius, &c.
35 Seventeen, various etchings, &c.
36 Twelve, Teniers, &c.

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. Original Drawings.
17 Twelve, sketches from nature
28 Fourteen, Vanvelde, Van Hawkins, &c.
19 Twenty, Sandby, Scott, &c. &c.
20 Four, Tassart, Catton, Sandby, &c.
21 Five, views, by Oram
32 Three, Devis, &c.
23 Three, views from nature
24 Four, Vivares, &c.
25 Three, by Cozens, Senior
26 Three, Rowlandson, Wickstead, &c. and a general view of Bath, by Hay

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. / Prints and Etchings.
27 Twenty-four, Waterloo
28 Eighteen, Waterloo, Swanevelt, Perelle, &c.
29 Twenty-four, etchings, landscapes, (some scarce)
30 Six, etchings, by Bott
31 Forty-two, Silvester, &c.
32 Twenty-nine, huntings, from Tempesta, Rubens, &c.
33 Thirty-eight, Delia Bella, Rydenger, &c.
34 Six, etchings, by Delia Bella, &c.
35 Twenty-eight, Cal36 Four, etchings, from Berghem, by Vischer
37 Eight, by Silvester and Hollar
38 Nine, scarce etchings, Van Euden, &c,
39 Twelve, Paul Brill, &c,
40 Thirteen, by Fyte, &c.
41 Twenty-eight, Berghem, Paul Potter, &c.
42 Twelve, Berghem
43 Two, Gravelot, and Hayman

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. / Original Fine Drawings.
44 Ten, Gravelot, with 7 of the prints
45 Two, Smith
46 Three, Rowlandson and Alken
47 Three, Rowlandson
48 Two, ditto
49 One, Catton, the happy cottagers
50 Five, portraits, by Dance, &c. with a proof print of F. Grofe, Esq. by Bartolozzi
51 Two, from Shakespeare, by Flaxman, and Hay-man
52 Two, portraits, Young Flaxman and his father, by Flaxman junior
Page 20
53 Three, Hayman and Vanderbank
54 Three, Collet, Liotard, &c.
55 One, by Alken, with pleasing figures
56 Two, Rowlandson
57 Three, ditto, 3
58 Four, ditto, in the manner of Gainsborough
59 Four, Moreland, &c.
60 One, Gilpin, the back ground, J. Sandby, (a park scene with deer)
61 Three, the late F. Cotes, the hop-pickers, &c.
62 One, the late Mr. Coates, and a portrait of the Queen and Princess Royal
63 One, Barrett, view on the Thames
64 Two ditto
65 Three, ditto, views from nature
66 Three, Wilson
67 Two, Serres, &c.
68 Three, Wyke
69 One, ditto
70 Five, ditto, Gilpin, &c.
71 One, Schweickhardt
72 Three, by Sir James Thornhill, &c.
73 Three, Sir James Thornhill, &c.
74 Two, from the English History
75 Two, by the late Mr. Hone
76 Six, A. Vanvelde, Fyte, &c,
77 Four, De Guin, &c.
78 Four, Flemish views
79 Two, Iandscapes, one by Zochi, and one Italian
80 Two, Taverner

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. / Porto Folios.
81 Two, small porto folios, with leaves, one bound in Russia, and I half bound
82 One, ditto, in calf
83 One, large ditto, in Russia
84 One, very large ditto, in Russia, with remarkable fine leaves
85 One, ditto, ditto, ditto
86 One, ditto, ditto, ditto
87 One, ditto, ditto, ditto
Page 21

Fourth Day’s Sale, THURSDAY, MARCH 15th, 1792. Fine Prints, in the Stile of Drawings, &c.
88 Four, by Captain Bailie, in the manner of Van Goen
89 Two, fine imitations of old drawings
90 Three, in the stile of drawings, fine
91 Two, noce de village, &c. in the stile of drawings
92 Ten, Rugendos
93 Ten, Le Prince
94 Thirty-three, ditto
95 Nineteen, ditto
96 Seven, ditto
97 Thirty-three, Marco Ricci’s etching;
98 Thirty-eight, Weirotter
99 Twenty-eight, ditto
100 Nineteen, Weirotter, Robert, &c,
101 Six, ditto
102 One-hundred and twenty, views in Switzerland, many of them proofs
103 Three, Teniers
104 Four, Wouvermans
105 Five, ditto, 9
106 Seven, Gainsborough
107 Five, from Vernet
108 Four, ditto
109 Five, from Gainsborough
110 Four, from Zucareili
111 One, loss of the Halfewell
112 Two, Smith, from Sir Joshua, &c.
113 Two, from Vernet, proofs
114 One, from Moreland
115 Six, historical, from Le Brun, the triumph of Constantine, &c.
116 Two,” from Marlow, London and Westminster
117 One, Niobe, from Wilson
Page 22

Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. // Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. / PRINTS.
1 FIFTY-EIGHT, Sandby, etchings, &c.
2 Twenty-five, various comic subjects
3 Thirty-four, various views, Sandby, &c.
4 Nine, Smith, Collett, &c.
5 Fourteen, etchings
6 Twenty-seven, various ancient maslers—some scarce
7 Thirteen, by Goltzius, and other old masters— many scarce
8 Seventeen, Goltzius, &c.
9 Twenty-four, by Delia Bella
10 Eleven, Flemish etchings
11 Twenty-four, by the late F. Grose, Esq; (scarce private plates)

Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. / Fine Drawings, by Ancient Masters.
12 Five, Weenix, &c.
13 Six, Wyke, &c.
14 Six, hunting, Snyders, &c.
15 Five, Wouvermans, &c.
16 Six, Vandevelde, &c.
17 Three, Storke, Backhuyson
Page 23
18 Two, Horizonti, &c.
19 Four, Neyts, &c.
20 Two, Berghem and Wouvermans
21 One, Berghem
22 Three, A. Vandevelde, Fyte, and Cuyp
23 Four, Wouvermans and Wyk
24 Three, Domer, &c.
25 Four, Rademaker
26 Four, Nieuland, &c.
27 Four, Schelinx, &c.
28 Six, Rogman, &c.
29 Two, Sebastian Le Clersey
30 Three, Swanenberg, &c.
31 Three, Berghem, Salsthevan
32 Two, Molyns
33 Two, Vangoen, &c.
34 Two, Vangoen, &c.
35 One, Lingieback
36 Four, Bourginione, &c.
37 Three, Marco Ricci
38 Four, Hackaert, &c.
39 Four, de Boisseau, &c.
40 Four, Baur, Teniers, &c.
41 Three, Waterloo, &c.
42 Two, Italian views, enriched with figures and cattle

Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. / Prints.
43 Twenty-eight, old masters, (some scarce)
44 Ten, etchings, by Ostade
45 Four, by Ostade
46 Thirteen, various Flemish, (some scarce)
47 Ten, scarce Flemish
48 Six, Flemish etchings
49 Eleven, the prodigal son, by Cal50 Five, by Cal51 Two, from Cal52 Fourteen, Albert Durer
53 Two, melancholy, &c. by Albert Durer
54 Three, scarce portraits, Albert Durer, &c.
Page 24
55 Six, Albert Durer, &c.
56 Four, Van Vliet, &c.
57 Thirteen, Lucas Van Leyden, &c.
58 Two, Roman deHoguc (scarce)
59 Two, scarce, Roman de Hogue, &c.

Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. / Drawings continued.
60 Six, Callot, Sadler, &c.
61 Four, Le Nain, &c.
62 Two, Cheron
63 Three, Vandyke
64 Nine, Mola, &c.
65 Two, De Bray
66 Six, historical, Lanfranco, &c.
67 Five, Le Prince, &c.
68 Five, historical, Tempesta, &c.
69 Five, Zompini
70 Six, Prematicio, Guerchino, &c.
71 Five, Julio Clovio, Salviati, &c.
72 Five, Cangiagio, &c.
73 Six, C. Marratt, &c.
74 Five, Diepenback
75 Four, C. Loti, Mola, &c.
76 Five, Bramer, Breughel, &c.
77 Three, Rottenhamer, &c.
78 Three, Diepenback
79 Two, La Fage
80 Five, Battista Fontana, &c.
81 Two, Goltzius
82 Four, Trevisiani, &c.
83 Four, Mola, &c.
84 Two, Rembrandt
85 Three, Rembrandt

Fifth Day’s Sale, FRIDAY, MARCH 16 th, 1792. / Prints.
86 Thirteen, of the choicest of Worledge’s gems
87 Nine, portraits, several scarce
88 Six, by Worledge
Page 25
89 Eight, historical.
90 Five, portraits, Edelinck, &e.
91 Ten, portraits
92 Ten, portraits, by Fiquet, &c.
93 Five, portraits, by Nantieul
94 Six, portraits, scarce; I of Sir Thomas Overbury
95 Three, Suyderhoef
96 Two, by Suyderhoef
97 Two, by Edelinck, &c.
98 Two, the grey headed man, &c. Masson
99 Two, by Hall and Audran
100 Three, scarce etchings, Teniers
101 One, Ephraim Bonus, Rembrandt
102 One, Rembrandt, the Jew, bride
103 One, the hundred gelder print, after Rembrandt
104 Seven, from Rembrandt
105 Three, after Rembrandt
106 Seven, by Rembrandt
107 Six, by Rembrandt
108 Six, by Hollar, &c.
109 Four, Westminster Hall, &c. by Hollar
110 Two, scarce, Rubens, &c.
111 Six, Rubens, &c.
112 Five, etchings, from Rubens, &c.
113 Three, Rubens &c.
114 Seven, Jordaens, &c.
115 Twenty-four, etchings, by De Boisseaux, scarce
116 One, Soupel, the great church at Stratsburg
117 Two, from Berghern
118 Four, from P. De Laar
119 Four, from Wouvermans
Page 26

Sixth Day’s Sale, SATURDAY, MARCH 17th, 1792.
1 FIFTEEN, Bunbury
3 Eleven, Bunbury 10.6
4 Eight, Bunbury 15.- [together with 4]
5 Six, Bunbury 15.- [together with 3]
6 Four, Bunbury 10.6
8 Three, Bunbury 7.- [together with 8]
9 Six, Bunbury 7.- [together with 7]
10 Three, Bunbury 11.
11 Two, Bunbury 12.
12 Three, Bunbury 96.6
13 Two, Bunbury 96.6
14 Three, Bunbury 4.6
15 One, Bunbury, Richmond hill 7.6
16 Three, Bunbury, conversazione, &c. 6.
17 Two, the long minuet, and school for scandal, Bunbury 12.
18 One, the manage, a coloured proof, Bunbury, 6.
19 One, Rotten-row, Bunbury 12.
20 Two, portraits, Bartolozzi 4.
22 Two, from Angelica, &c. Bartolozzi 5.- [together with 22]
23 Eight, Bartolozzi 5.- [together with 21]
25 Three, Bartolozzi 6.6.- [together with 25]
26 Four, Bartolozzi, &c. (I a proof) 6.6.- [together with 24]
27 Two, Bartolozzi, &c. 6.6
Page 27

Sixth Day's Sale, SATURDAY, MARCH 17TH 1792. / Capital Drawings, by Ancient Masters.
28 Two, Vandervelde. 14.6
29 One, Vandervelde 18.
30 Two, Vandervelde 15.
31 One, De Vlieger 1.1
32 Two, Romayn 8.
33 Two, Blackhuyson 6.6
34 Two, De Vlieger 4.
35 Three, Wouvermans, (N. B. one on the back of the other) 4.
36 Two, Bourginione 4.
37 Two, Neytz 4.
38 Three, Ruysdael, Van Hysom, &c. 4.
39 Two, De Marchis 4.
40 Two, Polembergh, &c. Venus chiding Cupid 4.
41 Two, Garee 4.
42 Two, Bott and Haslin 4.
43 Two, Saftleven and Romeyn 4.
44 One, fine stained landscape, Boudevin 4.
45 Three, G. Occiali, and du Jardin. 4.
46 One, Swanevelt 4.
47 One, Schelinks, a view in the Island of Malta 4.
48 One, de Boisseau 4.
49 One, Vernet, a stoym 4.

Sixth Day's Sale, SATURDAY, MARCH 17TH, 1792. / Prints.
50 Three, Lord Chatham’s monument, &c. Bartolozzi 4.
51 Two, from Cook’s voyage, Bartolozzi 4.
52 One, Robin Gray, Bartolozzi, proof 4.
53 Two, from Sterne, Bartolozzi, and Ryland 4.
54 Two, after Cipriani, by Bartolozzi 4.
55 Two, from Cipriani, by Bartolozzi 4.
56 Two, music and history, Bartolozzi 4.
57 Five, Bartolozzi, 2 proofs 4.
58 Three, Bartolozzi, I a proof 4.
59 Two, Bartolozzi, I a proof 4.
60 One, the birth of Shakespeare, a proof, Bartolozzi 4.
61 Two, Bartolozzi, 2 proofs 4.
Page 28
62 Four, Bartolozzi, 2 proofs 4.
63 Two, Bartolozzi 4.
64 Twelve, the 4 elements, and 8 of the passions 4.
65 Two, Madonas, Bartolozzi 4.
66 Two, Bartolozzi, from Cipriani 4.
67 Two, from Cipriani, by Bartolozzi 4.
68 Two, sleeping children, Bartolozzi 4.
69 Three, from Guercino, by Bartolozzi 4.
70 Three, from M. Angelo 4.
71 Two, Bartolozzi, &c. 4.
32 Two, Bunbury, the song and dance, &c. Bartolozzi 4.
73 Two, from Cofway, by Bartolozzi, Mrs. Abington, &c. 4.

Sixth Day's Sale, SATURDAY, MARCH 17TH, 1792. / Capital Drawings, by Ancient Masters.
74 Seven, Teniers and Ostade, Brower, &c. 4.
75 Seven, Baur and Van Luken 4.
76 Three, and Fontana, &c. 4.
77 Three, Albert Durer 4.
78 Two, F. Impe, &c. 4.
79 Two, Boucher 4.
80 Two, Carlo Maratti 4.
81 One, Chiro Feri 4.
82 Two, Julio Clovis, &c. 4.
83 Two, Leonardo de Vinci, and Julio Romano 4.
84 One, Palma, the triumph of religion 4.
85 Two, Bassan, &c. 4.
86 Four, historical, Tintoret, &c. 4.
87 One, Rysbrack, the prodigal son 4.
88 One, Watteau 4.
89 Two, Sebastian Conca, &c. 4.
90 One, Londonio 4.

Sixth Day's Sale, SATURDAY, MARCH 17TH, 1792. / Prints.
91 One, from Hussey, Bartolozzi 4.
92 One, the presentation 4.
93 One, Carrachie’s silence, Bartolozzi 4.
94 One, Mary Queen of Scot’s, ditto 4.
Page 29
95 One, a proof of Lord Thurlow 4.
96 Two, proofs, from Loutherberg, by Bartolozzi 4.
97 One, proof, ditto 4.
98 One, proof, nymphs bathing, ditto 4.
99 Two, portraits, by Caroline Watson 4.
100 Two, portraits, by Sherwin 4.
101 Four, the King of Prussia, &c. by ditto 4.
102 One, Sir Joshua Reynolds, by ditto, a proof 4.
103 Two, by ditto 4.
104 tight, ditto, &c. 4.
105 Two, Lord Chatham, and Captain Cook, Sherwin 4.
106 Two, Bartolozzi’s proofs 4.
107 One, Venus, &c. ditto 4.
108 One, the storm, ditto 4.
109 One, Clyte, ditto 4.
110 Two, the ball and wedding, ditto 4.
111 One, Abraham and Lot, ditto 4.
Page 30

Seventh Day’s Sale, MONDAY, MARCH 19th, 1792. / PRINTS.
1 THIRTY, Grave 4.1
2 Twenty-eight, ditto 5.6
3 Five, from Gainsborough, &c. 11
4 Four, Wilson 11
5 Three, views, by Hodges 5.
6 Five, of the finest of Piranesi’s views 14
7 Six, J, Sandby’s views, by Rooker 14
8 Six, Sandby’s views of Windsor, &c. first impressions 13
9 Eight, Malton’s views in London, fine impressons 18.6
10 Four, views by P. Sandby, choice impressions 13.6
11 Six, views, from Clerisseau 14.
12 Four, views, by P. Sandby, first impressions 9.6
13 One, Diana and nymphs bathing 11.6
14 One, the deserted village, Sherwin 5.
15 Two, the ball and concert 5.
16 Two, the pot and last, &c. Wouvermans 5.
17 Two, Greuse 9.6
18 Two, Greuse 9.6
20 One, Carree 1.5.0
Page 31

Seventh Day’s Sale, MONDAY, MARCH 19th, 1792. / Capital Drawings, by Ancient Masters.
21 Three, Breughell, &c. 12
22 Three, Bologncse and Carracci 10.6
23 Two, by Jordaens and Ruysdael 10.6
24 Two, Molyn 15.6
25 Two, Van Udcn, &c. 8.
26 Two, Rademaker 1.12.0
27 Three, Blomaert and Breughel, 2nd I equally fine at the back of it 14.6
28 Two, Rysdale and Van Rottam 10.6 100.6
29 Two, huntings, the wolf, &c. Snyders 1306
30 Two, Rydenger, slag hunt 1.1.0
31 One, Van Huyfom 2.12.6
32 One, Waterloo 2.5.0
33 One, Castiglione 15.0
34 Two, Berghem and P. Potter 4.4.0
35 Two, Moucheron, &c. 2.6.0
36 One, the halt of an army Verchuring 2.4.0
37 Two, Pouffin 1.4.0
38 One, Cuype, the angel appearing to the shepherds 1.2.0
39 One, P. Potter. 15.0
40 One, Wouvermans 4.4.0
41 One, Vandermeer 2.12.0
42 One, Titian 3.11.0
43 One, F. Bolognese, and Marco Ricci 2.8.0
44 Two, F. Milanese 15.0
45 Two, by Catts, beautifully high-finished views in Holland 10.10.0
46 Two, Claude, &c. 15.0
47 One, Berghem 2.190
48 Two, Domer 2.11.0

Seventh Day’s Sale, MONDAY, MARCH 19th, 1792. / PRINTS.
49 Three, Vandyke, Strange, &c. 11.
50 Two, Vandyke and Paul Pontius, &c. 7.
51 One, Twefth night, Jordaens and Paul Pontiun 8.
Page 32
52 One, by Rubens and Bolswert 6.6
53 Four, Jordaens and Rubens 8.6
54 One, the presentation, by Drevet 106
55 One, the Bishop of Meaux,. by Drevet—fine 1.5
56 One, Samuel Bernard, by Drevet—fine 1.4
57 Two, Rubens 10.
58 Eight, historical,. Edelinck, &c. 18.
59 Six, Poilly, Piazzetta &c. 16.

Seventh Day’s Sale, MONDAY, MARCH 19th, 1792. Capital Drawings continued.
60 Five, Auriliano, Milani, Graziani, &c. 15.
61 Two, P. Cortona, &c. Diana and Endymion, &c. 13.
62 One, Carracchi, historical 3.13.0
63 Two, Tintoret, and Beneditto Luti 2.10.0
64 One, Viviani the presentation 1.0.0
65 Two, P. Cortona, Alexander stabbing Clitus, and I by Chiro Feri 18.
66 Two, Holbein and Zuccato, the unjust Judge, &c. 11.
67 One, H. Holbein 12.6.0
68 One, Zuccaro 1.5.0
69 One, Ostade 9.9.0
70 One, ditto 1.6.0
71 Two, ditto, I in colours 17.0
72 Three, Bega and Teniers, &c. 1.1.0
73 One, Domer 2.0.0
74 One, J. Steen, a domestic scene 1.19.0
75 One, Tiopoli, high-finished and elegant, the prodigal son 1.10.0
76 Two, Guerchino 10.6.0
77 One, Guerchino 3.0.0
78 One, Titian, a reposo (very capital) 2.2.0
79 One, P. Veronese, the good Samaritan 1.1.0
80 One, Rubens, a finished study for his hunting the lion 2.19.0
81 Two, Salvator Rosa, and Giotto 11.
82 Two, Rubens, (in one of which are introduced his three wives) 1.18.0
83 One, stained, Dy Jordaens, the adoration 18.83
Page 33
84 Two, F. Hall and Jordaens 10.6
85 Two, Vandyke and Carracchi 17.
86 One, Vandyke, Dido and AEneas 1.17.0
87 One, portrait, A. Vandyke 1.2.0
88 One, A. Vandyke 15.
89 Two, Sir P. Lely, (his own portrait, by himSelf, and I historical) 14.6
90 One, Poussin, Venus and Adonis 1.10
91 Three, Le Seur, &c. 16
92 Two, G. Lareffe, &c. the rape of the Sabines, &c. 1.1.0
93 Two, G. Lareffe, &c. 19.
94 One, Rottenhamer, the death of Louis XIII. wrote on the back of the drawing 9.0
95 One, Bourginione, death of Adolphus 12.6
96 One, Cangiagio, the, triumph of Venus 15.
97 One, Caliot 1.2.0
98 One, Castiglione, a reposo 14.0
99 One, Cicero’s oration against Catiline 1.10.0
100 One, Le Fage 19.0.0
101 One, Guerchinb 3.12.0
102 One, Polidore 1.0.0
103 Three, Italian 1.0.0

Seventh Day’s Sale, MONDAY, MARCH 19th, 1792. / PRINTS.
104 Two, by Sherwin, from Raphael, &c. 19
105 Two, the King and Queen, by Ryland 1.0.0
106 One, the battle of La Hogue, a first impression, (subseription) 5.5.0
107 Two, Oliver Cromwell, and the landing of Charles I. ditto, ditto 3.16.0
108 One, Magna Charta, Ryland, first impression, ditto 1.16.0
109 Two, Edgar and Elfrida, I a proof, by Ryland 1.12.0
110 One, the siege of Gibraltar, fine impression 1.6.0
111 One, from Wilson, by Woollett 10.6.0
112 Two, Niobe, &c. Woollett 1.4.0
113 Two, by Strange, from Corregio, &c. 1.9.0
114 Two, historical, Bartolozzi, &c. 9.0
Page 34

Eighth Day’s Sale, TUESDAY, MARCH 20th, 1792.
2 Nine, Gravelot, &c. imitation of drawings 4
4 Four, from Stodart 56
5 Six, coloured, after Cofway 6
6 Four, the seasons, in colours 6
7 Two, proof after Peters 8
9 Nine, imitations 2.6
10 Two, death of Eloisa, and Charlotte’s visit to the vicar 3
11 Two, the children in the wood, &c. 7.6
12 Two, infancy, &c. by Ryland 7.5
13 Ten, various 4.6
14 Seven, frorn Zuccarelli, by Wagner and Bartolozzi -6
15 Twelve, the months, ditto and ditto 6
16 Four, the 4 times of the day, by ditto and ditto 66
17 Capital Original Drawings, by Modern Masters. 10
18 One, Rowlandson, Boulogne, &c. ditto ditto 10
19 Two, Rowlandson, Pharo table, ditto ditto 1.1.0
20 One, a field of slaughter, in the stile of Salvator, by Rowlandson 2.9.0
Page 35
21 One, Rowlandson, tricks on cards, spirited 16
22 One, the Recruiting ferjeant, by Coilett, a beautiful composition, equal to Hoga th 1.17.0
23 One, the place victoire, the late Mr. Brandon, equal to Hogarth 1.7.6
24 One, by the late Mr. Sullivan, (Bristol Wells) 1.11.0
25 One, Cozens, a landscape and figures -19-
26 Two, views, Rooker -15-
27 Two, views, Grimm, in his vail finished stile 15
28 One, Zocchi 2-9-0
29 Two, Taverner 13
30 One, Eret, a passion flower -11.6
31 One, the weeding night, or throwing the stocking, by Captain Laron, allowed to be the first known of the master 1.3.0
32 Six, from Peter Cortona, &c. by Bartolozzi. 1.11.0

Eight's Day's Sale, TUESDAY, MARCH 20TH, 1792. / Prints.
33 Six, from Guerchino, by ditto 9.
34 Six, from ditto, by ditto -9-
35 Six, from ditto, by ditto 11
36 Six, from ditto, by ditto -10
37 Six, from ditto, by ditto -11
38 Six, from ditto, by ditto -10
39 Six, from ditto, by ditto -10-6
40 Six, from ditto, by ditto -10
41 Six, from ditto, by ditto -10
42 Six, from ditto, by ditto -10
43 Thirteen, from ditto, by ditto, landscapes -10.6
44 Six, Bartolozzi 12
45 Fourteen, from Guerchino, by Bartolozzi -10.6
46 Two, Clerissseau, a grand sepulcral chamber, and the other, a view on the back of this drawing 12.6

Eight Day's Sale, TUESDAY, MARCH 20TH, 1792. / Capital Original Drawings Continued.
47 One, Clerissseau, ruins and figures, elegant composition -1.3.0
48 Two, P. Panini, ditto ditto, ditto ditto -2.3.0
Page 36
40 One, Zuccarelli, the rival mauls, ditto ditto 1.18.0
50 One, ditto, landscape and figures, ditto ditto 1.19.
51 One, Angelica, a sacrifice to Ceres, very elegant 4--
52 One, Gainsborough, a landscape and figures, in his best style 3.13.6
53 One, ditto, ditto ditto, ditto 3.4.
55 One, Gainsborough, landscape and figures, in his best style 3--
56 One, ditto, ditto 1-11-
57 One, Pillement, ditto, ditto 1.10-
58 One, the late Mr. Barrett, in the style of Gainsborough, beautifully finished 2-9.
59 One, Paul Sandby, landscape and figures, very fine 3--
60 One, ditto, ditto, ditto 1-1-
61 One, ditto, ditto, ditto 1-12-
62 One, ditto, ditto, ditto 63 One, Angelica, a rural dance, truly elegant 1-1-
64 Two, Cipriani, from Ovid, ditto 2-- 3--
65 One, Cipriani, nymphs and young satyrs, ditto 3--
66 One, Cipriani, time and history, ditto 2-9-
67 One, Bartolozzi, ditto 1-11-6
68 Two, Cipriani, ditto .19.
69 One, Bartolozzi, the paternal blessing, full of beautiful expression 3-14-
70 Two, ditto, the rural dance and assembly of the gods 1.4-
71 One, heads, by Hussey, a fine specimen of that scarce and admired master. 2-1-
72 One, Worlidge, a beautiful female head -19-
73 One, Taverner, the judgment of Midas, elegantly composed, &c. 1.10.
75 Four, Bourgeois—very pleasing and rural subjects 2.7.

Eight Day's Sale, TUESDAY, MARCH 20TH, 1792. / Prints.
76 Seven, Friezes, from Cipriani, by Bartolozzi 1-1-
77 Four, tickets, ditto 8-
78 Three, ditto, by ditto 6.6
Page 37
79 Four, ditto, by ditto 9-6
80 Four, ditto, by ditto 12-6
81 Five, ditto, by ditto 8-6
82 Four, Wilkes’s ticket, &c. ditto 16.
83 Two, madonas, by ditto., proofs. 19.
84 Three, madonas, ditto 15.
85 One portrait, ditto, proof 15.
86 One, portrait, ditto 9.6
87 One, the Marlborough family, ditto 10-
88 Three, gems, ditto 1.2.
89 One, Cupid and Psyche, ditto 1.4.
90 Ten, Arioflo, ditto 2.5
91 Thirty-four, Arioslo, French plates 2.5
92 Three, frontispiece, by Bartolozzi 1.1
93 Six, frontispieces, ditto, proofs. 1-4-
94 Five, ditto, ditto 1.8.
95 Two, ditto, ditto 4-1
96 Six, ditto, 2 proofs 18-6
97 Five, frontispieces, Bartolozzi 1.4
98 Four, ditto, ditto 1.6
99 Two, coloured, by Ryland, from Angelica 1.1-
100 Four, from Angelica, by Ryland 1.12-
101 Two, from ditto, by ditto 8-
102 One, from the history of England, by ditto 6-
103 Three, Bacchante, &c. Bartolozzi, in colours 9-6
104 One, large, elegant portfolio, with leaves, bound in Russia 2-6
105 One, ditto, ditto, ditto 2-6
Page 38

Ninth Day’s Sale, WEDNESDAY, MARCH 21st, 1792. // Ninth Day’s Sale, WEDNESDAY, MARCH 21st, 1792. / Framed Prints, Fine Impressions.
1 THREE, Faith, Ryland 4.6
2 Two, Eloisa, &c. ditto 9-6
3 Four, various, Bartolozzi, &c. 3-6
4 One, from Cipriani, ditto 10.6
5 One, the pretty milk maid, French 5-
6 One, Guercbino’s daughters, Bartolozzi 15.6 11-
7 Two, from Cipriani, Jcarce ditto 11-
8 Two, from Gerard Dou, &c. 5.6
9 Two, Children at play with a lamb, &c. 5.6 1.6
10 Two, large circles, from Angelica—finely coloured by. Ryland 1.6

Ninth Day’s Sale, WEDNESDAY, MARCH 21st, 1792. / – Capital framed Original Drawings.
11 Four, small circles, various, J. Sandby, &c. 10.6
12 Two, landscapes, in the stile of Gainsborough, Hay 16.6
13 Four, designs for Grose’s Antiquities, a gate at Ipswich, &c. Pouncet, &c. 1-2-
15 One, pleasing landscape, with a warm effect, Richards 15-
Page 39
16 Two, views from nature, La Porte 1-15-6
17 One, a beautiful Italian country girl, Dance 1.3
18 One, a duet, with an elegant female figure, Rowlandson 16.
19 One, a view on the Essex road Barrallett 19.6
20 A romantic scene in Switzerland, the late Mr. Brandouin 14-6
21 Two, ditto ditto Grimm 13.
22 Two, the fad story, and female friendship, Smith 11
23 Two, humourous, Rowlandson 8.6
24 One., a park, with deer, Howett 1-4- 17-
25 One, a cat and kittens, a true imitation of nature, Collet 17-
26 One, a landscape, with cows, &c. a very spirited sketch, Barrett 11-
27 Two, very pleasing views from nature, Tomkins 15-6
28 One, the 3 wayward filters—pirited, Van Assc 14-
29 Three, beautiful views from nature—high-finished, Strawberry-hill, P..Sandby 3-15-
30 One, the Piazza in Covent-garden, (the part that was destroyed by fire) J. Sandby 1-8-
31 Two, Ker-gneen, upon the Tamer, &c. Payne 4-4-
32 Two, ruins and figure—exquisitely finished, Marco Riçci 4-4-
33 One, ditto ditto, ditto, ditto 11-
34 Two, a thistle, and dent-de-lion, with butterflies and other infects, exquisitely finished, Nuremberg 8-8-
35 Two, a landscape, with dogs and dead game, ditto, ditto 6-10-
36 Two, beautiful landscapes, enriched with a variety of pleasing figures, ditto, ditto 2-6-
37 One, a romantic scene, with banditti, in the strile of Salvator, ditto, Marco” Ricci -13-
38 Two, ruins and figures, elegantly composed, 2-6-39 ditto, L’Aiman 3-14-
39 Two, beautiful rural scenes, ditto, ditto 2.6-
Page 40
40 One, woody scene, with elegant figures bathing, ditto, the late Mr. TAVERNER 1.6
41 One, the blind leading the blind, on a gold ground, ditto. P. Sandby 11-
42 Two, miniatures of Charles II. &c. ditto 2.6-
43 Two, portraits of ladies, ditto 1.0.
44 One, elegant enamelled po; trait of a lady, from Sir Joshua Reynolds, ditto, Birch 1.15.
45 Two, elegant compositions, exquisitely finished, Hincksted 2.8.
46 Two, ditto ditto, ditto, ditto 1.6.
47 One, a beautiful landscape, ditto, Goupy 1.2.
48 Two, views from nature, ditto, La Porte 2-8-
49 One, a view from nature, in his most finished stile, Barrett 4-6-
50 One, ditto ditto, with cattle and figures, ditto, ditto 2-5-
51 One, Dimsden church, Herts, ditto, ditto 5-5-
52 One, a romantic scene in Surrey, the figures by Cipriani, ditto, ditto 9-19-
53 One, ditto landscape, with a water mill, ditto, ditto 4-10-
54 Two, Conway castle, &c. the effect strikingly beautiful, ditto, ditto 5--
55 Two, views of Lodore and Ulswater, on the lakes, ditto, La Porte 7-7-
56 Two, ditto beautiful views from nature, ditto, ditto 2-12-
57 Two, the Sybils’ temple at Tivoli, and a view in England, ditto, ditto 6.16.
58 A pleasing landscape, enriched with cattle and figures, exquisitely finished, Goupy, after Rubens 3-16-
59 One, Manner Bor Caille, in Wales, with a beautiful mid-day effect, ditro, P. Sandby 3-16-
60 One, Windsor Castle, on a rejoicing night, with a clear moon-light effect, ditto, ditto 5-10-
61 One, a picturesque view of the inside of Caernarvon Castle, in his belt stile, ditto 6--
62 One, ditto Shrewsbury Bridge, &c. a truly grand and romantic scene, with a water-fall, &c. ditto, ditto 15.15-
Page 41
63 One, a picturesque view of part of Windsor Castle; in his best stile, P. Sandby 8-
64 One, a view on the lakes, with a fine effect, (not engraved) ditto, Wheatley 18.18-
65 One, a grand view of Donny-brook Castle, near Dublin, ditto, ditto 13-2.6
66 One, the rat-catcher, ditto 7--
67 One, the rose-bud, from Prior, ditto 3.13.6
68 Two, beautiful rural compesitions, (not engraved) ditto, ditto 7.15-
69 One, an elegant figure of a country-girl feeding a mastiff, ditto, ditto 2-3.

Ninth Day’s Sale, WEDNESDAY, MARCH 21st, 1792. / Capital high-finished unframed Drawings
70 Two, beautiful hunting scenes—full chace, and the death, Rowlandfon 2-4-
71 Two, the return from an eleection, &c. (not engraved) ditto 1-8-
72 Two, rural felicity, &c. ditto, ditto 1-10-
73 One, the merchant’s’ counting house, ditto, ditto 2.16-
74 One, a pleasing village scene, with a number of girls—spirited, ditto, ditto 2.16
75 One celestial harmony (an elegant composition) ditto 1.9.
76 One, a romantic scene on the Tamer, with a ship on the stocks, Payne 1-6-
77 One, a grand and accurate view of Greenwich Hospital, &c. allowed to be the finest drawing extant of the master, the late Mr. Scot, the sky and water prepaired by Ibbetson 1-19-
78 One, a view of Twickenham from the Thames, with Mr. Pope’s villa, Scott 3.3-
79 One, a view in Surrey, with a variety of pleasing rustic figures, P. Sandby 3-15-
80 Two, picturesque views from nature, Webber 1-19-
81 One, a view in Mr. Locke’s park, allowed to be the finest stained drawing known of the mailer, Barrett 5-7-6
Page 42
82 One, a most noble original design for the death of Lord Chatham, West 6.6.
83 One, the original design for the Celadon and Amelia, the late Mr. Wilfon 1.14

Ninth Day’s Sale, WEDNESDAY, MARCH 21st, 1792. / Elegant framed Drawings continued.
84 One, beautiful female head, exquisitely finished (not engraved) Cipriani 9.16-6
85 One, a magdalen, full of expression, ditto, ditto 4.14.6
86 Two, Comedy and Tragedy, ditto, ditto 17.11.
87 One, a composition, with elegant figures, ditto ditto 2.4.-
88 One, a beautiful historical composition, from the late Mr. Bernard’s collection, (unframed) 3.4-
89 One, a beautiful figure of a sleeping child, with cherubs, exquisitely finished (not engraved) Bartolozzi 2.12.6
90 One, a beautiful Madona, exquisitely finished, ditto, from Carlo Dolci 4.6-
91 Two, banditti, &c. in his most masterly stile, ditto, Mortimer 15.6
92 One, the original drawing for his picture at Buckingham-house, of the Queen and Princess Royal, the late F. Coates 1.11.6
93 Two, scripture subjects, finely composed, Hamilton 1.11.6
94 One, an elegant figure of a lady caressing her child, Westall 1.5-
95 One, Hope nursing Love, Grimm, from Cosway 1.5-
96 One, an elegant figure of a lady at the foot of an urn, ditto 1.5-
97 One, a spirited stained drawing of Diana and her nymphs hunting, Taverner 10-6
98 One, a youth's head, highly finished, Worlidge 14.6
99 Two, views of London and Westminster bridges from the Thames, enriched with elegant figures, Days 12-12-
100 One a beautiful landscape and cattle, with haymakers in the distance, Barrett 16-5-6
Page 43
101 One, ditto, with the effect of sun-set, Barrett 9-9
102 One, Windsor Park, with part of the Castle, ditto 1.5
103 One, a beautiful woody scene, in his most finished and masterly stile, Taverner 4--
104 The theatre at Termina, with Mount AEtna in the distance, Caris, the figures by Hamilton 2.12.6
105 A scene through a wood, enriched with figures, Marco Ricci 3.3
106 A beautiful compesition of ruins and figures, in his most masterly stile, Clerisseau, the figures by Zocchi 7.10.
107 One, ditto ditto, ditto 7.15.
108 One, ditto ditto, ditto 3--
109 On a view of the Pantheon at Rome, enriched with a great variety of elegant figures, L’Al- man 5.5.
110 One, the inside of an elegant Grecian saloon, with graceful figures dancing, Zocchi 6.10-
111 One, a high-finished stained flower-piece, elegantly composed, Miss Moser 7--
112 One, a pleasing view, with a waggon and figures, La Porte 3.15
113 A view in Hyde Park, taken at the time of the riots in 1780, E. E. 1.10-
114 One, an unframed beautiful landscape, with a waggon, Rowlandson 1-1-
115 A picturesque and grand view of the Banqueting-House, Privy-Garden, &c. &c. enriched with figures3 the late Mr. Mayer 13.13-
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Tenth Day’s Sale, THURSDAY, MARCH 22d, 1792. // Tenth Day’s Sale, THURSDAY, MARCH 22d, 1792. / Pictures by the most esteemed Masters.
1 A Sea view, with Dublin light-house, Swain, 7 by 13.13-
2 A romantic view in Cumberland, with the effect of a rainbow, Rathburne, 10½ by 15¼ 13.13-
3 A correct and pleasing view in Hyde-park 13.13-
4 A pair of Flemish conversations, touched with great spirit, and the colouring clear, 9½ by II 13.13-
5 An Italian landscape and figures, 5½ by 7¼ 13.13-
6 A Flemish dance, in his most finished style, the figures Spirited, Hemskirk, 16½ by 19 13.13-
7 A landscape and figures, with an effect of lightning, Teniers, 10 by 14 13.13-
8 A Flemish first-market, De Vlieger, 5 by 6 13.13-
9 A sea view, with figures on the shore, touched with great spirit, De Vlieger, 8 by 11 13.13-
10 A view from nature, near Paddington, Barrett, 9½ by 12 13.13-
11 A landscape, with figures and cattle, Barker (of Bath) 9¾ by 1½ 13.13-
12 A landscape and figures, Lingleback, 6 by 7 13.13-
13 A landscape, cattle, and figures, in his best stile, Van-bloom, 8¾ by 12¼ 13.13-
14 Ditto, ditto, ditto, A. Vandevelde, 11 by 14 13.13-
15 A pair of ancient miniature portraits, fine 13.13-
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16 Cardinal Richlieu 13.13-
17 A portrait of a woman’s head, Gonzales 17*A miniature of Oliver Cromwell 13.13-
18 Two, ancient miniatures, highly finished 13.13-
19 A portrait of Lord Darnley, fine, Holbein, 6 by 7 13.13-
20 A Salvator Mundi, painted on marble 13.13-
21 Two, humourous compositions, touched with a spirit equal to Vandyke, Vandervene, 5½ by 7½ 13.13-
22 A Flemish doctor and his patients, in his best manner, Bracklenbergh, 13¼ by 16 13.13-
23 A Flemish duett, an high finished picture, touched with great spirit, and remarkably clear 13.13-
24 A tutor and his pupil, full of character, and beautifully finished, Metzu, 14 by 7½ 13.13-
25 A youth playing on the flute, Metzu, 8 by 9 13.13-
26 A man playing on the violin, a most animated figure, in his best manner, Dietrich, 9 by 10 13.13-
27 A corps du garde, with pleasing humourous figures, Le Duc, 14½ by 14½ 13.13-
28 A pair of ovals, landscape, and pleasing figures, (not engraved,) Moreland, 7½ by 10 13.13-
29 A pair of high finished views from nature, Devis, 12 by 14 13.13-
30 A view of Southampton, with a fine warm effect, D. Serres, 10 by 14 13.13-
31 A view in Italy with a beautiful warm clear effect, Wilson, 13 by 16 13.13-
32 A pleasing landscape and figures, Aslyne, 12 by 14½ 13.13-
33 A landscape, with gypsies, Gainsborough, 11¾ by 14¼ 13.13-
34 A rich scene, with figures and cattle, highly finished, 6 Bott and Bodwin, 10¼ by 14 13.13-
35 A landscape and figures, a remarkable pleasant and clear picture, Tull, 11½ by 3½ 13.13-
36 A scene in Windsor forest, with deer, (in his best style) Barrett, 19 by 20 13.13-
37 A very rich romantic scene, with rocks, &c. Marco Ricci, 14½ by 19 13.13-
38 A remark-able pleasing landscape, cattle and figures, a beautiful specimen of the master, S. Ruysdael, 13¼ by 17¼ 13.13-
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39 A landscape and figures, highly finished, Hobbima, 14 by 14½ 13.13-
40 A landscape, with a water-fall, Ruysdael, 9¼ by II 13.13-
41 A storm, very spirited, Vernet, 6½ by 8 13.13-
42 A very pleasing Flemish view, with figures skaiting, Beerstraten, 9½ by 12¼ 13.13-
43 A holy family with angels, &c. highly finished, with an old engraving from it, Rottenhamer, 9 by 10½ 13.13-
44 A landscape and figures, with a very picturesque old hovel, Van Goyen, 7½ by 12 13.13-
45 Descent from the cross, the figures elegant and full of expression, Crayer, 8 by 11 13.13-
46 A philosopher in his study, excellently finished in the stile of Rembrandt, Gerard Dou, 11¼ by 13½ 13.13-
47 A domestic scene, Bracklencamp, 12 by 16 13.13-
48 A conversation, a remarkable beautiful clear picture, Bracklencamp, 14¼ by 19 13.13-
49 A Dutch merry-making, remarkably brilliant, and the figures touched with great spirit, Teniers, 7 by 9 13.13-
50 The inside of a church, enriched with figures, remarkable for its clearness, and fine effect, De Witt, 17 by 23 13.13-
51 Ditto, ditto, ditto 13.13-
52 A landscape, enriched with pleasing figures and cattle, Berghem, 26 by 31 13.13-
53 Ditto, ditto, ditto, Van Bergen, 20 by 26 13.13-
54 A farm yard, with poultry, &c. a true imitation of rustic nature, Cradoc, 25 by 29 13.13-
55 A beautiful scene, with a great variety of horses and figures, Vansalens, 33 by 43 13.13-
56 A landscape, cattle and figures, the colouring composition equal to Rubens, Van Bloom, 34 by 49 13.13-
57 The shepherd’s offering, a beautiful grand composition, with an immense variety of figures full of character and touched with great spirit, allowed to be a chef d’oeuvre of the master, Tilbourg, 46 by 70 13.13-
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58 The inside of a cottage, with spirited figures, carousing, the character, drawing, effect, &c. has been generally allowed equal to the first of the Flemish school, Zorgue, 22½ by 32½ 13.13-
59 Rustic figures playing, at a cottage door, fine, Le Nain, 26 by 30 13.13-
60 An elegant figure of the virgin, our Saviour, and St. John, an uncommon fine and clear specimen of the master, Zuccarelli, 11 by 13 13.13-
61 A landscape with a water mill, a beautiful high finished cabinet picture, Ruysdael, 14 by 17 13.13-
62 A landscape, with a baggage waggon, &c. with a great variety of pleasing figures in fine preservation, in his most finished stile, Wouvermans, 12½ by 16½ 13.13-
63 A beautiful composition of pleasing figure, in his most finished manner, Vanfalens, 28 by 24 13.13-
64 A landscape, cattle and figures, with a striking effect, A. Vandevelde, 18 by 24 13.13-
65 A sea storm on the coast of Italy, highly finished in his best stile, Vernet, 19 by 28 13.13-
66 A landscape, cattle and figures, in his best manner, Barrett, 16 by 22 13.13-
67 A Dutch merry-making, remarkably clear, the figures animated, Domer, 18 by 24 13.13-
68 An ancient folding altar piece, with a Pope officiating at mass, a rich composition, full of dignity, Perrugino 13.13-